Scholarship and critique regarding Creative Commons: Difference between revisions
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Law Review/Law Journal Articles | |||
* Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005) | |||
* Matthew J. Astle, Will Congress Kill the Podcasting Star? 19 Harv. J.L. & Tech. 161 | |||
(Fall, 2005). | (Fall, 2005). | ||
* Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 | |||
(Winter 2004). | (Winter 2004). | ||
* Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004). | |||
* Corey Field, Copyright, Technology, and Time: Perspectives on "Interactive" as a Term, 50 J. Copyright Soc'y U.S.A. 49 (2003). | |||
* Michael N. Lang, The Regulation of Shrink-Wrapped Radio: Implications of Copyright on Podcasting, 14 CommLaw Conspectus 463 (2006). | |||
* Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005), available at www.mttlr.org—brito&dooling.pdf www.mttlr.org—brito&dooling.pdf about orphan works | |||
* Brooke Oliver, The Artist's Perspective in the Acquisiton, Exhibition, and Preservation of New Media Works, SK061 ALI-ABA 161 (2005). | |||
* Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004). | |||
* Martina Gillen, Gavin Sutter, Legal Protection of Copy-Protection Mechanisms, 51 J. Copyright Soc'y U.S.A. 729 (2004). | |||
* Dan Hunter, F. Gregory Lastowka, Amateur-to-Amateur, 46 Wm. & Mary L. Rev. 951 (2004). | |||
* Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, | |||
55 Fla. L. Rev. 795 (2003). critical | 55 Fla. L. Rev. 795 (2003). critical | ||
* Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006). | |||
* Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006). | |||
* David W. Opderbeck, The Penguin's Genome, or Coase and Open Source Biotechnology, 18 Harv. J. Law & Tec 167 (Fall, 2004). | |||
* Jennifer R. Mueller, NOTE: All Mixed Up: Bridgeport Music v. Dimension Films and De Minimis Digital Sampling, 81 Ind. L.J. 435 (2006). | |||
* Anupam Chander and Madhavi Sunder, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004). | |||
* Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004). | |||
* Rosemary J. Coombe, Fear, Hope, and Longing for the Future of Authorship and Revitalized Public Domain in Global Regimes of Intellectual Property, 52 DePaul L. Rev. 1171 (Summer 2003). | |||
* Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005). | |||
▶ Other Articles | ▶ Other Articles | ||
Revision as of 22:48, 6 July 2006
Law Review/Law Journal Articles * Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005) * Matthew J. Astle, Will Congress Kill the Podcasting Star? 19 Harv. J.L. & Tech. 161 (Fall, 2005). * Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004). * Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004). * Corey Field, Copyright, Technology, and Time: Perspectives on "Interactive" as a Term, 50 J. Copyright Soc'y U.S.A. 49 (2003). * Michael N. Lang, The Regulation of Shrink-Wrapped Radio: Implications of Copyright on Podcasting, 14 CommLaw Conspectus 463 (2006). * Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005), available at www.mttlr.org—brito&dooling.pdf www.mttlr.org—brito&dooling.pdf about orphan works * Brooke Oliver, The Artist's Perspective in the Acquisiton, Exhibition, and Preservation of New Media Works, SK061 ALI-ABA 161 (2005). * Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004). * Martina Gillen, Gavin Sutter, Legal Protection of Copy-Protection Mechanisms, 51 J. Copyright Soc'y U.S.A. 729 (2004). * Dan Hunter, F. Gregory Lastowka, Amateur-to-Amateur, 46 Wm. & Mary L. Rev. 951 (2004). * Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003). critical * Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006). * Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006). * David W. Opderbeck, The Penguin's Genome, or Coase and Open Source Biotechnology, 18 Harv. J. Law & Tec 167 (Fall, 2004). * Jennifer R. Mueller, NOTE: All Mixed Up: Bridgeport Music v. Dimension Films and De Minimis Digital Sampling, 81 Ind. L.J. 435 (2006). * Anupam Chander and Madhavi Sunder, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004). * Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004). * Rosemary J. Coombe, Fear, Hope, and Longing for the Future of Authorship and Revitalized Public Domain in Global Regimes of Intellectual Property, 52 DePaul L. Rev. 1171 (Summer 2003). * Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).
▶ Other Articles